Directed by Ken Russell. With Sammi Davis, Amanda Donohoe, Paul McGann, Christopher Gable. A young woman deals in her own personal way with the trials of adolescence.

Woman gets smashed in the face with plate in a restaurant. A woman who supposedly called another woman a 'b**ch' got a plate of buffet food hurled in her face. Video of the altercation posted to Instagram starts off with a woman saying 'What the f**k did you say?'She then grabs a woman sitting down at a table by the neck, then hits her, and throws a plate of food at her. A woman in an unidentified restaurant hurls a bowl of food at another woman for apparently calling her a 'b**ch''What the f**k did you say?' a woman yells before reaching over and appearing to grab another woman by the neck.

The woman sitting at the table tries to tell the two women she did not call one a 'b**ch' but they are not having her explanation. It's unclear where the incident, which has over 1. Instagram in one day, took place.'I did not call you a b**ch,' the woman sitting down says calmly. Another woman over and appears to slap her in the face.'You just said 'b**ch!"" she yells. The victim appears to be trying to explain herself.

Reading the last one hundred pages of John Fowles's “The French Lieutenant’s Woman” is like being caught in a fictional labyrinth. We think we know where we. Synopsis, cast and crew, awards and user comments. The movie, like the book, is told with two narrators. One is Stingo, who remembers these people from that summer in Brooklyn, and who also remembers himself at that. Title Length Color Rating : The French Revolution & Art - Thesis: The French Revolution transformed not only the French society, but also had a huge influence and.

The Essentials: Meryl Streep's 16 Best Performances. ‘Will & Grace’ Creators Reveal Rejected Ideas for the Revival, and the Truth About Mike Pence — Turn It.

A woman lifts a plate near the other woman's face and continues threatening her. Before they leave, one of the women throws the plate directly in the woman's face 'You scared? You can't even say what the f**k you just said?' another woman says. The woman sitting down continues to try to explain herself, but one of the women insists, 'No, you said "b**ch!"Just before the two angry women move away, one of them turns around and hurls another plate of food, which appears to hit the victim right in the face before smashing to the ground. It's unclear if the woman sitting down was injured when she was hit. No one at the restaurant comes over to break up the altercation before the video ends.'So you just gon act like you aint just take two buffet plates and a bowl to the face?

Never call a black b**ch a bitch if you aint a black b**ch. Slapped her ass like a b**ch,' wrote an Instagram user named Skobeen.

The French Lieutenant's Woman (film)The French Lieutenant's Woman is a 1. British romantic drama film directed by Karel Reisz, produced by Leon Clore and adapted by playwright Harold Pinter. It is based on the novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis. The film stars Meryl Streep and Jeremy Irons. Other featured actors include Hilton Mc.

Rae, Peter Vaughan, Colin Jeavons, Liz Smith, Patience Collier, Richard Griffiths, David Warner, Alun Armstrong, Penelope Wilton, and Leo Mc. Kern. The film was nominated for five Academy Awards. Streep was nominated for the Academy Award for Best Actress, and the film was nominated for the Academy Award for Best Writing (Adapted Screenplay).

This section needs expansion. You can help by adding to it.(September 2. The film intercuts the stories of two affairs. One is a Victorian period drama involving the gentleman palaeontologist Charles Smithson and the complex and troubled Sarah Woodruff, known as "the French lieutenant's woman". The other story is between the actors Mike and Anna, playing the lead roles in a modern filming of the story.

In both segments, Jeremy Irons and Meryl Streep play the lead roles. John Fowles' The French Lieutenant's Woman had multiple endings, and the two parallel stories in the movie have different outcomes. In the Victorian story, Charles enters into an intensely emotional relationship with Sarah, an enigmatic and self- inflicted outcast he meets while visiting his fiance Ernestina (Lynsey Baxter) in Lyme Regis.

The two meet secretly in the Lyme Regis Undercliff, and eventually have sex in an Exeter hotel. This leads to Charles breaking his engagement, but Sarah then disappears. In social disgrace after being sued for breach of promise, Charles searches for Sarah, fearing she has become a prostitute in London. After three years, Sarah, who has a job as a governess in the Lake District, contacts Charles to explain that she needed time to find herself.

Despite Charles's initial anger, he forgives her, and the two are reconciled. They are finally seen boating on Windermere. In the modern story, the American actress Anna and the English actor Mike, both married, are shown as having an established affair during the making of the film. As filming concludes, although Mike wishes to continue the relationship, Anna becomes increasingly cool about the affair, and avoids Mike in favour of spending time with her French husband. During the film wrap party, Anna leaves without saying goodbye; Mike calls to Anna from an upstairs window as she drives away, using her character's name Sarah. Production notes[edit]Harold Pinter and Karel Reisz worked on the script in 1.

Leon Clore as producer, and with whom Reisz regularly worked in their company Film Contracts, formed many years earlier. Leon had produced Reisz' Morgan: A Suitable Case for Treatment.

The film was shot in 1. Lyme Regis, Exeter, London docks, and Lake Windermere. Studio sets were built at London's Twickenham Studios to Assheton Gorton's period- perfect designs. The opening shot in the film establishes the dual stories by having the assistant director mark the shot with a clapper board, and then run out of the shot to reveal the Victorian seaside front, with Charles' and Ernestine's taking the air. The audience is given alternating sequences of a rigid Victorian society, and the more relaxed modern life of a working film crew, revealing the great moral divide between past and present. Prostitution, Considered in Its Moral, Social, and Sanitary Aspects, an 1.

William Acton, is referenced in the film when Streep's character mentions that in 1. London and that one house in 6. The book was published in 1. Its transfer to the big screen was a protracted process, with film rights changing hands a number of times before a treatment, funds, and cast were finalized. Originally, Malcolm Bradbury and Christopher Bigsby approached Fowles to suggest a television adaptation, to which Fowles was amenable, but producer Saul Zaentz finally arranged for the film version to be made. A number of directors were attached to the film: Sidney Lumet, Robert Bolt, Fred Zinnemann, and Miloš Forman. The script went through a number of treatments, including one by Dennis Potter in 1.

James Costigan in 1. Pinter's final draft. Actors considered for the role of Charles Smithson/Mike included Robert Redford and Richard Chamberlain, and Sarah/Anna included Francesca Annis, Charlotte Rampling, Gemma Jones, and Fowles' choice Helen Mirren.[4]The award- winning music was composed by Carl Davis and performed by an unidentified orchestra and viola soloist Kenneth Essex. Awards and nominations[edit]Academy Awards[edit]Nominations[5]BAFTA Awards[edit]Wins. Anthony Asquith Award for Film Music: Carl Davis. Best Actress: Meryl Streep. Best Sound: Don Sharp, Ivan Sharrock, Bill Rowe.

Nominations. Best Film: Leon Clore. Best Actor: Jeremy Irons. Best Cinematography: Freddie Francis. Best Costume Design: Tom Rand.

Best Direction: Karel Reisz. Best Editing: John Bloom. Best Production Design/Art Direction: Assheton Gorton. Best Screenplay: Harold Pinter. Golden Globe Awards[edit]Win.

Nominations. Other awards[edit]References[edit]Bibliography[edit]Further reading[edit]External links[edit].