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Swedish director Ruben Ostlund won Palme d'Or for this "slapstick tragedy about the fragility of everything we call human". LADY CHATTERLEY and ME. The French film Lady Chatterley was released in the UK in August 2007.(1) I saw a small part of it last night more than four years later on.

Of Gods and Men (film)Of Gods and Men is a 2. French drama film directed by Xavier Beauvois, starring Lambert Wilson and Michael Lonsdale. Its original French language title is Des hommes et des dieux, which means "Of Men and of Gods" and refers to a verse from the Bible shown at the beginning of the film. It centers on the monastery of Tibhirine, where nine Trappist monks lived in harmony with the largely Muslim population of Algeria, until seven of them were kidnapped and assassinated in 1. Algerian Civil War.[2]Largely a tale of a peaceful situation between local Christians and Muslims before becoming a lethal one due to external forces, the screenplay focuses on the preceding chain of events in decay of government, expansion of terrorism, and the monks' confrontation with both the terrorists and the government authorities that led up to their deaths.

Principal photography took place at an abandoned monastery in Azrou, Morocco. The film premiered at the 2. Cannes Film Festival where it won the Grand Prix, the festival's second most prestigious award. It became a critical and commercial success in its domestic market, and won both the Lumières Award and César Award for Best Film. The film opens with a quotation from the Book of Psalms, Psalm 8.

I have said, Ye are gods; and all of you are children of the most High. But ye shall die like men, and fall like one of the princes." The monks' peaceful routine of prayer, medical assistance, and community interaction is soon interrupted by the threat of an Islamic fundamentalist group. When their elected leader, Christian (Lambert Wilson), declines the protection of the corrupt civil authority, the monks divide amongst themselves on the question of whether to stay or flee Algeria. Before a decision is reached, a group of fundamentalists, led by Ali Fayattia, enters the monks' compound in force on Christmas Eve and demands their doctor and his medical supplies.

Christian refuses their requests and cites the Quran as proof of the monks' goodwill. With a mixture of surprise and respect, Fayattia leaves the compound and grants it his protection until his capture, torture and death at the hands of government forces. Despite the growing danger, the monks come to consensus on the moral importance of maintaining their committed lives with, and ministry to, the local population, even when faced with violence and death. Ultimately, the terrorists seize most of the monks during a nighttime raid and hold them hostage. As the captive monks trudge a snowy path towards a grim fate, the film concludes with the spiritual testament of prior Christian de Chergé, bravely written in the face of death.[3]Background and production[edit]In 1. French Trappist monks from the monastery of Tibhirine, Algeria, were kidnapped and found beheaded.

The Armed Islamic Group of Algeria claimed full responsibility for the incident. However, according to documents from French secret services, it is possible that the killings were a mistake carried out by the Algerian army during a rescue attempt.[4]A scholarly book on the events was published in 2. John W. Kiser's The Monks of Tibhirine: Faith, Love, and Terror in Algeria.[5]The film project was initiated by Etienne Comar in 2.

French media. Comar, a film producer by profession and a Catholic, had been fascinated by the monks since the earliest news of the abduction, but felt that their death had overshadowed what he thought was really interesting: why they had decided to stay in Algeria despite the ongoing Algerian Civil War. Comar contacted Xavier Beauvois in 2.

The two researched, met with theologians, and during a break Beauvois chose to live for six days at the Tamié Abbey in Savoie.[6] Some inspiration was taken from writings by two of the Tibhirine monks, Christian de Chergé and Christophe Lebreton. Franco- American monastic consultant Henry Quinson was asked to correct and add historical and liturgical content for further authenticity.[7] The script was later sent to relatives of the deceased monks, most of whom reacted positively to the project.[8]The financing coincided with the revelation of the Algerian army's possible involvement in the incident, which once again sparked an interest for the story from media and the public.[6] Production was led by Why Not Productions with Armada Films and France 3 as co- producers. Financial support was granted by the CNC.[4] The budget was €4 million euro.[9]As preparation for their roles, François Polgar, the former assistant director of the choir of the Paris Opera, former director of Le Chœur de Radio France and director of The Paris Boys Choir, trained for a month the actors who were to play monks in the Cistercian and Gregorian chants.[1. Each actor also spent a week living as a monk at the Tamié Abbey.[7] The actors used different approaches to their individual roles.

Lambert Wilson primarily used Christian de Chergé's writings to develop a subjective perception of the monk's personality. Xavier Maly, a non- Catholic, prepared himself by praying every day for a month. Jean- Marie Frin based his interpretation partially on a home video from Paul Favre- Miville's vow.[1. Michael Lonsdale on the other hand preferred to rely on instinct, and did not prepare much at all.[1. Filming started in early December 2. Meknes, Morocco, and ended two months later.[4] The main filming location was the Benedictine monastery of Toumliline, which had stood unused and unattended for more than 4.

The film team, under production designer Michel Barthélémy, renovated the monastery so it would resemble the location of the actual events.[6][1. Quinson who had assisted with the screenplay was also present on the set as an advisor.[6] Attention was paid to extras' clothing and Arabic intonation so that they would look and sound Algerian and not Moroccan.[1. Release[edit]. The film's cast and crew on the red carpet for the world premiere in Cannes. The film premiered on 1. May 2. 01. 0 in competition at the 6.

Cannes Film Festival.[1. It was the second time a film directed by Beauvois was selected for the festival; he had previously won the 1. Jury Prize for Don't Forget You're Going to Die.[1.

Of Gods and Men was released in France on 8 September through Mars Distribution. It was launched on 2. Artificial Eye released it in the United Kingdom on 3 December 2.

Sony Pictures Classics acquired the distribution rights for the United States, Australia and New Zealand.[1. Reception[edit]Critical response[edit]Review aggregation website Rotten Tomatoes gives the film a score of 9. The site's consensus reads, "Patient and restrained, Of Gods and Men asks deep, profound questions that will linger in the audience's mind long after the movie."[2. Metacritic gave the film a weighted score of 8.

Le Monde's Isabelle Regnier wrote: "We can, we must, even, consider this film as a profession of faith. But it is in the cinema where Beauvois always has placed his own, and where he places it here more than ever. Confident in the talent of his cinematographer, Caroline Champetier, .. Relying on the arid majesty of the Atlas' landscapes (Moroccan for the filming), the milky purity of monks' robes, the rhythm of the ritual, Xavier Beauvois plays with the tracking shots with a breathtaking mastery".[2.

Didier Péron of the left- wing newspaper Libération was positive overall, but remarked: "Of Gods and Men would no doubt have lost in grandeur and lyricism .. In the United Kingdom, Tom Dawson of Total Film gave the film four stars out of five, and Tim Robey rated it three out of five in The Daily Telegraph. Both critics praised the performances of Wilson and Lonsdale.

Movie Review. Andrew Garfield Deftly Avoids Showy Stunts as Polio Victim in 'Breathe'Andy Serkis directs Garfield, Claire Foy in flawed but moving take on true story of Robin Cavendish, who defied odds, physical handicap for decades.