The incredible story of legendary astronaut, Gordon Cooper, and the secret treasure map he began from space. In orbit to detect nuclear sites, he found a treasure he. Watch free Kids Movies and Shows online at Popcornflix Kids. Featuring full length Family Films & TV Shows. Discover something new or watch all your favourite ITV shows. The ITV Hub - the new home of ITV Player, ITV on demand and live TV. Watch Movies Online at BoxTV.com. Watch all your favourite Movies online and TV shows online at BoxTV.com. Watch Full Episodes of Your Favourite TV Shows and Watch.

Treasure Planet Blu- ray: 1. Watch Prime Online Facebook here. Anniversary Edition. Puns ho! Batten down the hatches! Hoist the mainstay!

It be a pirate film! Reviewed by Kenneth Brown, July 2, 2. There's treasure to found in Treasure Planet, Walt Disney Animation's 4. Seas to be sailed, worlds to be discovered, flights of space- faring imagination to be savored, and a surprisingly intuitive adaptation of Robert Louis Stevenson's "Treasure Island" to boot.

Watch full Pocahontas online full HD. Cartoon movies Pocahontas online for free in HD. In 1607, the Susan Constant sails to the New World from London, carrying English s. Young Jim Hawkins has an unforgettable encounter with pirate Captain Long John Silver and his murderous mates. Blood Lad anime info and recommendations. Staz isn’t what you’d call a tradition. Watch all your favorite hd film and tv shows online full movies for free on 1080pmovie.com 1080p HD Bluray Movie. Tubeplus Me Watch or download movies online. Find popular, top and now playing movies here. Watch movies with HD Quality. Watch or download the movies directly on.

But there be danger in these 'ere waters, matey; a maelstrom even co- directors Ron Clements and John Musker (The Little Mermaid, Aladdin) have trouble navigating. At the eye of the storm is an expertly crafted relationship between a wayward boy and a heart- of- plundered- gold pirate, a sweeping sci- fi adventure, and lovingly hand- drawn swashbucklers and scallywags. Raging at all sides, though, are the same gale- force winds that have sank many a well- intentioned, post- Disney Renaissance animated film: scurvy supporting characters, peg- legged pacing, and the Yellow Jack of patchwork animation. After fifteen- year- old troublemaker Jim Hawkins (voiced by Joseph Gordon- Levitt) acquires a holographic map from a dying bilge rat named Billy Bones (Patrick Mc. Goohan), he and his mother (Laurie Metcalf) narrowly escape a ruthless cyborg and his band of pirates.

Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important a.

With the help of family friend Dr. Delbert Doppler (David Hyde Pierce), Jim charters a ship, the RLS Legacy, and sets off across the Etherium seas (essentially a vast, breathable atmosphere in space) in search of the fabled Treasure Planet.

But aside from the ship's captain, Amelia (Emma Thompson), and her first mate, Mr. Arrow (Roscoe Lee Browne), there aren't any crewman worth trusting, save perhaps the ship's cook, a sweet but salty cyborg named John Silver (Brian Murray). Jim is initially leery of Silver, wondering if he could be the same pirate who attacked and burned down his mother's inn, but soon develops a special bond with the galleyman, seeing in him the father and role model he never had. Silver is up to something, though, and as Jim and the RLS Legacy crew near their destination, the boy finds out exactly what the old sea dog is planning.

Alas, Jim and John Silver exist in a bubble. In that bubble is a fantastic Disney feature animated film filled with wonder, adventure and uncertainty.

Murray is perfectly cast as the dastardly cyborg biding his mutinous time, imbuing Silver with a disarming warmth that makes his relationship with Jim and his heartfelt struggles with turning on the lad all the more convincing. He turns with all- too- venomous ease, though, leaving little doubt that Silver is, if not entirely willing, at least capable of doing whatever is necessary to unearth the greatest treasure in the universe. Gordon- Levitt is terrific as well, despite being saddled with the rather thankless role of the angst- ridden every- teen in search of some semblance of purpose. He and Murray develop a very real friendship, with very real strides and very real betrayals, and it's their voicework, paired with the film's finest bits of character animation and design (courtesy of supervising animators Glen Keane and John Ripa), that makes Treasure Planet as successful, satisfying and, yes, even touching as it is.

When all else falls short, Jim and John Silver lend weight to the tale. When all else is dull and ragged, Gordon- Levitt and Murray are sharp and pointed. And when the story, script, supporting performances, or CG- infused animation doesn't live up to their potential, it's Jim and John that keep the ship on course.

Thompson and Metcalf shouldn't be dismissed - - their work is among the remaining cast's best - - but Captain Amelia and (especially) Jim's mother aren't given much to do. This is a boys' treasure hunt, lest ye be mistaken. Commendable as Clements and Musker's decision to swap out Stevenson's Captain Smollett for a firebrand female may be, the co- directors never quite follow through, wounding Amelia and all but incapacitating her during the film's climactic third act. Pierce and Martin Short (who plays a robot marooned years ago on Treasure Planet) are squandered too, sacrificed on the altar of comic relief without much comic relief to offer. They give it their all, they do. But neither Doppler nor B. E. N. hold a flickering candle to Robin Williams' Genie or Samuel E.

Wright's fan- favorite crustacean, Sebastian. Killer lines don't find their way onto the page for one, and the characters aren't endearing enough to make any amount of improv very effective. Moving through the rest of the crew, it's nothing but a steep decline, thanks to some of the most uninspired alien pirate designs th animators could dream up. Silver is a work of Disney mastery; Swiss Army Knife arm, hydraulic peg leg, laser eye, expressive body language, persuasive face and all. His crew? Silly, clumsy, unappealing and forgettable.

Even the true villain of the film, a beady eyed arachnoid (Michael Wincott), and his chief rival, Mr. Arrow, aren't remotely interesting. Back- stabbing bug vs. Meh. Treasure Planet's animation, meanwhile, is a never- ending battle between traditional hand- drawn and CG elements.

Characters like John Silver represent a near- flawless combination of both techniques, and to visually thrilling ends. But the Deep Canvas- painted CG ships, backgrounds and planets are hit or miss (the Crescent Moon shipyard is brilliant, the pod of CG space whales, not so much), some fitting seamlessly into the aesthetic, others being completely disconnected from the hand- drawn characters. The arranged- marriage animation was also much more impressive ten years ago, when Disney's 5. That said, the care that went into each scene is apparent, so much so that such criticism really comes down to personal taste and tolerance rather than the actual quality of the animation.

Had all the characters, and really the entire adventure, been more absorbing, it would be easier to overlook Treasure Planet's age and shortcomings. As it is, though, every flaw amplifies the next, placing Disney Animation's 4. Treasure Planet sails the deadly Etherium seas with a brisk, spirited DTS- HD Master Audio 5. Fiery supernova debris hurtles past the bow of the RLS Legacy.

A black hole roars and hisses as a helpless crew is dragging into its maw. Space whales glide alongside an astonished young man.

A massive portal open upon far- flung, sometimes volatile worlds. A giant energy beam slices through the center of a planet and sends a sea of treasure hurtling into an opening abyss. And those are just some of Planet's more notable sonic showcases. Through it all, LFE output grants fitting power, weight and presence to everything Jim encounters on his adventure, as well as providing a sense of ever- present atmosphere to the oceans of space. The rear speakers deliver too, erupting with activity at a moment's notice, supporting the quietest of scenes, sending Morph careening from channel to channel, and creating an immersive soundfield regardless of whether Jim's feet are planted on the ground, on a ship's deck, or on the surface of a mechanical planet. Directionality is a tad superficial at times, sure (the sound designers have a bit too much fun with B. E. N.), but it's harmless and all a part of the intended experience.

It only helps that dialogue is clean, clear and perfectly prioritized throughout, and rarely subject to the whims of the film's more bombastic sequences. All said, Treasure Planet delivers on its AV potential.